Woman Seated on a Bench (Claude Monet, 1874, Tate Museum, London). While it is always refreshing to see a Monet painting that does not involve water lilies, I must confess that this painting has always struck me as odd. The woman in question looks so immobile and static. Also there is so much unoccupied room on the bench considering it is such a nice day (notice how strongly the loose, imprecise brush strokes convey the lushness of a summer’s day and the dappling of sunlight on the bench). But with the insertion of a magnificent (if somewhat rude) Hound, all is explained! The woman is not immobile by choice. She cannot move with the heavy burden of a Hound on her legs. We sense that at any moment the Hound will sprawl across her lap and settle in for a satisfying chew on her parasol, an element which adds drama to this otherwise rather placid scene. Wimsey Seated on A Woman Seated on a Bench.
Tuesday, January 6, 2009
Wimsey Seated on A Woman Seated on a Bench
Woman Seated on a Bench (Claude Monet, 1874, Tate Museum, London). While it is always refreshing to see a Monet painting that does not involve water lilies, I must confess that this painting has always struck me as odd. The woman in question looks so immobile and static. Also there is so much unoccupied room on the bench considering it is such a nice day (notice how strongly the loose, imprecise brush strokes convey the lushness of a summer’s day and the dappling of sunlight on the bench). But with the insertion of a magnificent (if somewhat rude) Hound, all is explained! The woman is not immobile by choice. She cannot move with the heavy burden of a Hound on her legs. We sense that at any moment the Hound will sprawl across her lap and settle in for a satisfying chew on her parasol, an element which adds drama to this otherwise rather placid scene. Wimsey Seated on A Woman Seated on a Bench.
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1 comment:
Well done, Sir Wimsey. No frock is complete without hound prints.
Gus
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